All events are safeguarded to occur at the correct time only through the use of cue regions. The External trigger list allows 4 additional cuelists to be constructed allowing event triggers such as switches in props or MD click track start buttons to be integrated into the system with ease. Multiple computers can be networked together to track a master and send network chat messages to each other. MIDI Sequences can be recorded to enable capture of modern digital mixing desk’s fader movements, or for live recording of sound effects sequences using samplers and keyboards.Īlso from their website it mentions all the ways events can be triggered.Įvents can be triggered by remote control button boxes, MIDI commands, TCP/IP network messages, and triggers can even be based on the system time clock. MIDI control is supported in the form of standard MIDI messages, MIDI Show Control, MIDI Machine Control and customizable strings of System Exclusive commands. I was not able to test this, but on reading the instructions it seems that this is a worthwhile addition to the software. The implementation of the midi part is available with purchase of the full package. If you upgrade by purchasing the various licenses you find you can even control digital mixing consoles etc. This is great feature especially if some other element in your show has changed. You can also vary levels of the sounds within a cue while operating the show. It does not take long to build complex soundtracks that complement your production. As with most software packages the more you use it you more you you find out how versatile it is. If you need to rearrange your cues that is pretty easy. There is a wave viewer that allows you to set these loops and start and finish points. If it is a multi- sound cue you can move each of the tracks start positions and levels, and pan to create a cue that works. Once you have built your soundtrack you can then nuance each effect, with start and end points, loops level changes. You also have the ability to loop effects and define the in and out positions of the loops. In the free version you can have up to 8 sound playing in each cue, you can position them where you like, with fades etc. Send cues in order, standby, jump cues or recover any position, any timeīuilding a show can start with simply building your cue list and as you obtain the sounds you need you just add them to the cue you need. Insert and delete cues at any point in cuelist, at any time It has a good number of features available. But it does not take long before you have a decent soundtrack for your show up and running. You do need to read through the instructions in the first instance as you put together your first show. Obviously if you pay money you then unlock a whole raft of extra features. The free version is not really limited and you can actual achieve a very sophisticated show using this version. Well I have been putting it through its paces.Now have used for two productions and it works well. I stumble across this offering, and since they had a free version I thought I would try it out on a small production I was doing. I was looking around at software for Windows that worked in a similar way to Figure 53’s QLab. Your donations help offset the cost of writing this software and the tools I need to buy to do it.This software has been around for a while, so I decided to give it ago. Please consider a donation (even a small one) if you find this software useful. The beta releases may have small issues, but are generally very usable. A preview function can be routed to another stereo output. Each of those groups can be assigned any one of the available stereo audio cards. Each audio cue can be assigned to one of several audio groups. Productions can be named, saved, loaded, printed and exported. MIDI Mute for audio muting on external mixerĬues can be linked in various ways to play at the same time or after each other, etc as well as stop/fade other cues.MIDI command to control external equipment.Serial or network strings to trigger external devices.
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